Saturday, February 20, 2021

Where do I get my story ideas?

Brains are amazing organs. The mental part holds memories from experiences and learning and can create imaginative ideas even when the body is not awake. Putting the two together is where stories evolve. I didn't even know I wanted to write a story until this dream character kept showing up in my mind at night. In the end, she didn't even end up in my first novel for she inspired other stories before her own, but hers is the third one in the Aegis series. 

Once started, however, new ideas and characters began to develop. Now my initial story ideas develop when I'm walking, which I think frees my mind to wander, too. Once started, though, the ideas come while writing the story. 

At the beginning of my writing, I found I liked to write science fiction and fantasy, but have since expanded into trying historical fiction and I might, maybe, even write some contemporary romance. 

While writing fantasy and sci-fi I've found I like to delve into both historical and contemporary problems and issues as background in my stories. Why these problems in the future? As conditions change, what has happened in the past can under certain circumstances, always happen again.

Storytelling is an ancient art form that has provided listeners and readers not only entertainment but also lessons about life, and I hope that is what my fiction does while taking readers on (hopefully) imaginative journeys.

Visit these authors for more about where stories come from:

Skye Taylor 

Anne Stenhouse 

Beverley Bateman 

Connie Vines 

Diane Bator 

Dr. Bob Rich 

Fiona McGier 

Helena Fairfax 

Marci Baun 

Victoria Chatham 

Judith Copek 

Monday, February 1, 2021

The Earl's Lady Geologist -- Alissa Baxter

Perfect 10
Vinspire Publishing
ASIN: B08QYSJK7Q
ISBN-10: 1-73415-079-3
ISBN-13: 978-1-73415-079-7
2021, February 28
Historical Romance

Lyme Regis and London, England, 1817

Cassandra Linfield does not want a ‘come-out’ or marriage, not after what happened to her mother who suffered so many miscarriages that eventually ended her life. Cassy has a sizable inheritance she will receive in a year making her independently wealthy, and she is happy with her life in Lyme Regis and her frequent trips to the shoreline to find fossils. It also lets her escape her judgemental cousin Agness who lives with her since her father’s recent death. Other single women friends like Mary Anning and Elizabeth Philpot search the beaches for fossils, too. One day a very handsome man approaches Cassandra while she is on the beach and insists that she return to her home as the shore’s cliffs and tides make it dangerous, and it is no place for a single young woman to roam. He is Lord Rotherbury and is family although not a blood relative. His mother, Ella, was widowed early and then married Cassandra’s uncle Barnaby Linfield, who is her guardian. Now her Aunt Ella insists Cassandra come to London for the season.

Edward, Earl of Rotherbury, initially finds Cassandra unattractive but her intelligence and interest in fossils entice him until he realizes she is very attractive. He asks her to draw some of his fossils for a paper he will present to the Geological Society of London. And when he becomes aware she is gaining interest from other men, he proposes a marriage of convenience. She rejects him. It is shortly afterward he realizes that he loves her.

Cassandra loved Edward before he proposed, but she rejected his proposal, not only for its lack of emotion but also because she feared marriage. Edward soon learns he loves her, so becomes determined to marry her creating an interesting romance story. What is also fascinating in this story is the fossil hunting. The characters Mary Anning and Elizabeth Philpot were real women. Mary made some astounding fossil discoveries in Lyme Regis which is part of Dorset’s ‘Jurassic Coastline,’ including the first Ichthyosaur skeleton. While they could sell their fossil finds, because of their gender, they could not join any scientific societies. This adds some interesting historical perspectives to the story.