Any
word creates communication. Most words hold multiple meanings and connotations,
especially in the context of the words mixed with it. This makes word choice
essential in presenting purpose. The understanding of every communication depends
on this, and it works.
Visual
communication includes more than words. Appearance, body language, topic, tone
of voice, facial expressions, and specific words used all play a part. Tone,
delivery speed, and loudness assist with audio communication. Real-time
conversations are often off the cuff. Due to this, even with expressions and
tones, spur of the moment wording frequently creates misunderstanding.
When
only words are used, the choice of words must make up for all that is missing
in other forms of communication. Depending on genre and intent, editing of recorded
communications of any type can correct or distort words. All writers use this
inherent quality of words to load them with intent. Factual writers most often work
to avoid such ambiguity, but storytellers develop it to exploit character and
meaning. In turn, the readers interpret meaning according to their
understanding of the words. In fiction, this can change the reader’s perception
of characters and their actions.
For
instance, Dr. Bob (one of the writers listed below) gave this example for this blog topic: She had to be the
sexiest-looking 42-year-old on the planet, the best that money could buy.
Is
this loaded language? Yes. Is it good or bad? Actually, neither and both; it
depends on the writer’s purpose, which depends on who makes this observation within the story,
and the writer’s intent for the character so described. The ultimate interpretation
depends on the reader, their empathy and perception of the words’
purpose.
Every story is just a
compilation of words used to expose character and situation, yet every reader’s
personal experiences and imagination respond to the framework of the words used.
Based on both the author’s word choices and the reader’s interaction with those
words, their acumen, biases, perceptions, and sympathies give either understanding
or confusion. Furthermore, a writer might use a word’s meaning to clarify, or
even to lead the reader astray, with the intent for an emotional effect that increases
the readers' interest. Luckily, whether the author uses commonplace or unusual
wording, or desires to clarify or introduce uncertainty, the language lets the
author play within the reader’s mind. The words build a sense of place and
reality, allowing each reader to understand a character or situation, which grows
the story’s purpose. Wording is important. Yet I have to admit, in my fiction writing, I sometimes use ambiguous wording to encourage reader involvement. As a reader, I have found this a very useful technique either to cement a character's qualities or to mislead the reader temporarily for a better understanding later; however, authors need awareness of their wording choices without overdoing it.
Check out these blogs for more insight on word choices:
Skye Taylor
Marci Baun
Margaret Fieland
Victoria Chatham
Beverley Bateman
Dr. Bob Rich
Rachael Kosinski
Judith Copek
Helena Fairfax
A.J. Maguire
